ロサンゼルス・タイムズ"性上納蔓延の韓国芸能界の不正"
(ユーコピア 韓国語 2011/01/10) 


韓国芸能界でスターへと成長するためには性上納も拒否できない風潮が蔓延していると9日(現地時間)、ロサンゼルス・タイムズが報道した。

この新聞は《搾取が社会問題として残っている韓国芸能界(In South Korea's entertainment industry,exploitation remains an issue)》という題の記事で、チャン・ジャヨン自殺事件などを紹介しながら、韓国芸能界の陰の部分に光を当てた。



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ロサンゼルス・タイムズ紙は、チャン・ジャヨンが2009年に自殺する前に、自分のマネジャーの要求で芸能界の大物や報道機関役員などに性上納をしなければならなかった自分の行跡を、7ページのノートに込めて残したと明らかにした。

1990年以来、5,6人の韓国女優たちがストレスに勝つことができずに自ら命を絶ったし、特にチャン・ジャヨン自殺事件以降、低賃金を受け入れなければならず、また、整形手術を強要され、チャン・ジャヨンの場合のように甚だしくは性上納の要求に従わなければならない、いわゆる『奴隷契約』と関連して韓国検察が捜査に入ったが、実際に変わったことはないものと見られるとも報道した。

韓流の期待と重なり、新人たちの場合、相変らず性的虐待や搾取を甘受しなければならないというのだ。

それと共にこの新聞は、芸能産業が発達したアメリカやインドでもこのような陰の部分が無いわけではないが、学者たちは、こうした韓国の映画・音楽産業の誤った慣行について、韓国の大衆文化がアジア諸国や西洋社会でも文化的影響力を増している点をあげ、懸念の声を出していると指摘した。

ロサンゼルス・タイムズ紙はまたこれと関連して、韓国女優たちの60%が自分たちのキャリアを積むために性上納の要求を受けている、との昨年4月の人権団体の調査資料を引用して紹介した。

この調査に応じた111人の女優と240人の俳優希望者たちは5人に1人の割合で性上納の要求を受け、半分ほどは影響力を持つ大物たちと酒席を行うように強要を受けたと答えた。 また、3人に1人の割合で自分の意思と関係なく身体的接触にあったり、セクハラを経験したと答えた。

チャン・ジャヨン事件と関連では、チャン氏の元マネジャー2人には12か月の懲役刑が宣告されたが、彼女の自殺ノートに書かれていた20人余りの重役たちは起訴されなかった、と指摘した。

それと共に、チャン・ジャヨンは自分の自殺ノートを通じて、スタジオ側からスポンサーに性上納を要求されたし、タイでゴルフ旅行に出かけ巨額勝負師に酒接待もしなければならなかったし、実際に警察がチャン氏のマネジャーの事務所を急襲した結果、シャワー室とベッドが備わった‘密室’が発見された、と報道した。

この新聞は韓国の他の有名グループの実状に対してもメスを加えた。

男性ポップアイドルグループ『TVXQ(東方神起)』は、自分たちのマネジャーと結んだ13年間のいわゆる『奴隷契約』と関連して訴訟を提起したし、これによって韓国公正取引委員会が調査を始めることになった、と報道した。

そうであるかと思えば、『ワンダーガールズ』は自分たちの北米ツアー過程でメンバーたちが隔離され、また、適切な治療も受けられないなどの不当な待遇を受けた、と彼女たちの元英語講師が暴露したと明らかにした。しかし、こうした暴露内容に対してワンダーガールズ側は否認している。

しかし、チャン・ジャヨン自殺事件は何よりも社会的衝撃が大きかったとして、これは力と名声の間の秘密のクモの巣にかかった場合と批判した。

それと共に、こうした韓国芸能産業界の慣行は簡単に変わらないと見られるとし、多くの女優たちが真実を明らかにしようとしても、恥かしさと、報復を恐れてすることができないからだと理由をあげた。(機械翻訳 若干修正)



Cultural Exchange: In South Korea's entertainment industry, exploitation remains an issue

Critics say little has been done to protect young talent after actress Jang Ja-yeon's 2009 suicide and her details of sexual abuse roiled the TV, film and music industries.

January 09, 2011|By John M. Glionna, Los Angeles Times


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Reporting from Seoul - - She was a young actress with designs on mega-stardom. But to realize her dreams, Jang Ja-yeon was resigned to take her place in the seamy realm of the South Korean sexual casting couch.

In the end, the disgrace proved too much. In the seven-page note she wrote before her March 2009 suicide, the 27-year-old TV sitcom regular described how her manager forced her to have sex with industry VIPs such as directors, media executives and CEOs, many of whom she cited by name.

Jang's death stunned this nation transfixed by celebrity and all its trappings. Since 1990, a half-dozen TV and film actresses have committed suicide over the stress that comes with success in South Korea. The aftermath of Jang's suicide triggered a federal government investigation into "slave contracts," in which young talent, mostly women, become locked into exclusive contracts by their agents requiring them to work long hours for low pay, receive unwanted plastic surgery and, in Jang's case, turn to prostitution.

Nearly two years after her suicide, critics say, little has changed in the cutthroat "Korean Wave" of TV, film and music that each year draws thousands of young hopefuls ready to endure whatever it takes - including sexual abuse and exploitation - to make it big.

While the film and music businesses in such nations as India and the U.S. can also be shady, scholars worry over the perverse treatment of women in South Korea's relatively small but growing entertainment industry, which is making a cultural impact throughout Asia and the West.

An April 2010 survey conducted by a human rights group here found that 60% of South Korean actresses polled said they had been pressured to have sex to further their careers. In interviews with 111 actresses and 240 aspiring actresses, one in five said they were "forced or requested" by their agents to provide sexual favors, nearly half said they were forced to drink with influential figures, and a third said they experienced unwanted physical contact or sexual harassment.

Though two of Jang's former managers were each sentenced to 12 months in jail last October for extortion, nearly two dozen executives named in the actress' suicide note - now known as the "Jang Ja-yeon paper" - were never charged.

Other cases have surfaced. A government review panel in Seoul recently ruled that many entertainment contracts illegally infringe on performer privacy and limit an individual's ability to change agencies.

Critics say the entertainment industry scandal runs to the very roots of Korean culture, in which powerful authority figures, beginning with the military regimes overthrown a generation ago, feel unchecked in their dominance.

"Nowadays in South Korea, money really does matter," said Lee Myoung-jin, a sociology professor at Korea University in Seoul. "To cash in on stardom and wealth, young people do whatever their agents say. There are people out there taking advantage of the situation. It's a tragedy."

Jang's life story plays out like a TV soap opera, the venue of her first success. Orphaned as a child when her parents died in a car crash, she set her sights on the movie industry. After making her debut in a 2006 television commercial, Jang's first big break came when she landed the role of a vindictive schoolgirl in the popular TV soap "Boys Over Flowers."

But off-screen, her life was anything but rosy. In her suicide note, the actress described being at the mercy of studio bosses who forced her to have sex with clients and once to serve drinks on a high-roller golf trip to Thailand. "I was called to a bar and pressured to accept a request for a sexual relationship," she wrote in her suicide note.

When police later raided her manager's office, they discovered a shower and bed in a "secret room" they believe was used for Jang's forced dalliances. After the actress asked to terminate her contract, she was allegedly threatened and beaten, according to her last note. On March 7, 2009, Jang called her sister to lament of her "overwhelming stress." Hours later, the sister returned to the family home to find Jang's body hanging from a stairway banister.

In a newspaper op-ed published days after Jang's death, a former national broadcasting official cited the immense pressure on celebrities to keep in the public eye. He said those "who do not make frequent appearances are treated as losers. To avoid this, they often have to go too far."

The governmental Fair Trade Commission met in July to investigate the "slave contract" phenomena after three members of the now-disbanded male pop-idol group called TVXQ filed a lawsuit to end a 13-year exclusive contract with their manager. The panel ruled that the management's contract was illegal and suggested an ongoing problem in the industry.

A former English tutor for the popular South Korean pop band Wonder Girls also claimed last year that members were mistreated during a North American tour - kept in isolation and denied medical treatment. The band has denied the claims.

But Jang's suicide hit hardest. Even 22 months after Jang's death, bloggers still rue the death of a fragile celebrity many believed was destined to become one of South Korea's biggest movie stars. When she took her life, Jang was awaiting the release of her first two films, which were later both well received. In the first two days after her death, nearly 1 million fans visited her website.

Activists say there are probably other actresses like Jang caught up in the secret web between power and celebrity in South Korea. But they don't expect the situation to improve soon. Many actresses, they say, fear reprisals as well as public shame if they come forward.

Said Lee Eun-sim of South Korea's sexual violence relief center: "Jang's death was the tip of the iceberg."




姦流が全米を席巻...

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